While sitting in his room and struggling with the Center's ideologically rigid regulations that strictly monitor his output and contributions, the protagonist becomes obsessed with Heinrich von Kleist, who shot himself at the Wannsee in a murder-suicide plot with Henriette Vogel. Again and again, he wanders to Kleist's nearby grave, ponders the poet's hysteric disposition and contemplates his work, namely The Prince of Homburg and The Marquise of O - birli the story goes on, he partly starts to mirror Kleist, and while the novella isn't explicitly mentioned, Kleist's Michael Kohlhaas seems to be a steady companion piece to the narrator's upcoming crusade (you could also make a case for The Broken Jug).
The narrative then switches to the story of Monika, a cleaner who works at the Center. Monika decides for some reason to make our unremarkable, and increasingly unbalanced, narrator into her confidante. She recounts of her time in a punk girl band in East Germany, and of the way she was persecuted by the Stasi. The story exists solely kakım a poorly veiled allegory. This novel is hamiş really interest in Monika, and why should it be?
What the book is about is another thing entirely and I’m not convinced Kunzru even knows! The novel is such a mess of seemingly-disconnected tangents.
The main character feels in this first part very, very self aware and rather whiny, like he goes on about the impossibility of working in a room with others (I am writer who won a prestigious fellowship, surely I don’t need to be surveyed) and overall he struck me bey a bit depressed.
This journey, for those of us who are hamiş steeped in certain German intellectual philosophies may make us begin to feel lost along the way. Never fear, Mr. Kunzru ties it all together in a way that becomes more accessible.
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Another thing I couldn't quite behind was Anton and his supposed powers of influence over our main character. While I yaşama recognise that the narrator was in a susceptible, if derece vulnerable, state I wasn't convinced by the way Anton comes to dominate his every-thought.
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The Apocalypse is the time when all secrets are revealed. By scrambling down towards the cliffs, I knew I was only postponing the moment when the bones of the dead would start up from the earth and I would be turned inside out like the victim of a medieval execution, my innards unspooled and put on İnternet sitesi display for the crowd.
However Hari Kunzru goes flatly against Anton Chekhov's wisdom around showing guns and moves the story in a whole other direction in the second part.
But the residency does not go kakım planned. Firstly, he kişi’t settle to his work and begins binge watching a violent TV crime drama, Blue Lives, and he quickly comes to the conclusion that there are hidden messages in the dialogue which makes regular reference to burayı kontrol et obscure literary works and seems to be promoting a nihilistic outlook on life. Secondly, the Center is in Wannsee and close to the villa where the Wannsee Conference was held (where Reinhard Heydrich proposed his Bitiş Solution to the Jewish Sıkıntı) and, although the stated aims of the Deuter Center seem directly opposed to this kind of thinking, our devamını oku narrator quickly becomes concerned at the level of surveillance and the general set up.
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There is an interesting story within the main narrative about halfway through, bey the narrator listens to a maid and former punk rocker tell of İnternet sitesi her experiences in East Berlin and the effect Stasi persecution had on daha fazla bilgi al her life, which works really well in conjunction to his own growing fears and distrust. I loved Red Pill more when it was settled in Berlin - about two-thirds of it, before it drastically changed course and felt like it wanted to start flirting with the apparatus of a thriller. Still, I found this a chilling and highly fascinating work overall, my third by Kunzru, that explores themes like cyberculture, immigration, and the white supremacist worldview. Feels very much right at home with its feet up on the table in this day and age.